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Cooder makes the music sound as modern and stylish as acoustic music can sound. The score is stark, quiet, and as uplifting as it is sad. The overall sense is that Cooder was reaching for spare, emotional movements. The majority of the score is delicate and stunningly pretty.
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The dialogue comes from a scene where the characters played by Stanton and Nastassja Kinski have a particularly emotional meeting.
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The effect of the dialogue makes the track a fine, artistic statement, but the moment works better in the context of the movie than as a track on an album. "I Knew These People" begins with an extended segment of dialogue from the film before Cooder's somber guitar creeps in.
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"No Safety Zone" is almost completely ambient in its ethics, with fleeting experimental guitar playing, as the song works more as a mood-setter than a traditional song. "Cancion Mixteca" includes a memorable turn on vocals by Harry Dean Stanton, singing in Spanish. There's a bit of both humor and mystery to the stillness and the echoing, edgy sound effects that crop up. The songs move at a pretty, slow place, and the opening track sees Cooder plucking his guitar's strings and letting that sound vibrate into thin air it's a motif that he returns to repeatedly throughout the score. " Paris, Texas ," "Brothers," and "Nothing Out There" open the album as meditative blends of guitar twang and scratching ambient effects. Suggestive of both the imagery of Win Wenders' movie Paris, Texas and the desert itself, Ry Cooder's score is a peaceful, poetic journey into the soul of an acoustic guitar. Reminds Of: Robert Johnson, Albert Collins, Van MorrisonÄefinitely Worth Buying: Amazon, CdUniverse It is the third 3D game in the Super Mario series. Mood: Eerie, Nocturnal, Enigmatic, Melancholy Super Mario Galaxy is a 2007 platform game developed and published by Nintendo for the Wii. Genre: Soundtrack, Instrumental, Slide-Guitar Blues